Joined: 11 Apr 2019
|The beauty schools teaching all ain all matters of beauty
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"For artists, no place can compare with Xinjiang in terms of resources. The geographical features, multi-cultural resources of multiple ethnic groups... there are just so many things to amaze you and many things are already art works in and of themselves. It should be a place that generates emerging artists," said the 50-year-old Zhang Zikang.
Zhang finds it puzzling that despite all these artistic advantages the Xinjiang Uyghur Autonomous Region holds for artists - the region is home to 47 ethnic groups and has numerous mountains, lakes and glaciers - the art industry in the region seems far less developed than other areas in China. Almost no influential artists from Xinjiang are known worldwide or even nationwide and no public art museums currently exist in the region.
So when Zhang was dispatched to Xinjiang in 2011 as the deputy director-general of the Department of Culture for Xinjiang , the motivation to help the culture and art of the region prosper drove him to establish much needed platforms for exchange between Xinjiang and other regions.
Since 2004, Zhang has been the director of the Today Art Museum in Beijing and the editor-in-chief of the magazines Oriental Art and Art Today. Through the efforts of Zhang and his team, the Today Art Museum was able to become the first highly successful private museum in the Chinese mainland. For his contributions, he has been regarded as a crucial person in helping raise the status of private art galleries in the mainland.
Due to his profound experience in organizing art events, he was sent to work in Xinjiang. "I think I can play a greater role in Xinjiang than at the Today Art Museum," he said.
Working in Xinjiang over the past three years , he has been able to witness the problems with the art industry in the region.
"They have become used to having a single methodology in creating art. Everybody uses a similar way to draw. There isn't enough vitality, so many artists don't get the chance to develop their real talent," he said.
During the two biennales he helped organized in Xinjiang, Zhang tried to bring various kinds of art - traditional and contemporary, domestic and international, paintings and installation art - to the region in the hope of expanding horizons and developing creativity.
In 2012 , Zhang helped organize the The 1st China-Xinjiang Contemporary Art Biennale in Urumqi to give people here a general outline of the current state of Chinese contemporary art. This autonomous-region-level exhibition gathered top Chinese contemporary artists like Chen Danqing, Xu Bing and Liu Xiaodong.
With that experience under his belt, Zhang was able to help this year's biennale, The 1st China Xinjiang International Arts Biennale, become even bigger. Supported by both the Ministry of Culture and the Xinjiang government, and featuring works by 132 artists from 18 countries , a 5-kilometer-long exhibition route, one main exhibi.